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Wilson got his break when early pop icon Johnny Rivers signed him to his new label, Soul City Records. It's said to have been responsible for shifting Northern Soul from the Motown sound and for helping to found the modern soul movement. Mimms started with gospel and doo-wop groups and then helped lead the growing sophistication of soul music, later opening shows for Jimi Hendrix. Butler finally found success with the band Raw Soul, later named Maze, which opened for Marvin Gaye and began selling records.

Though he recorded some well-regarded Chicago soul music, he was mostly known as the younger brother of soul great Jerry Butler. The band is largely forgotten except for this Northern Soul gem. The group isn't known for much other than this song and their catchy name.

The song is described as "anguished, hurting and rough around the edges," but the emotion, bass, drums, and horn section are said to make up for the lack of polish. Legend's real name is Bessie Grace Upton, daughter of a gospel singer and backup singer to some of the biggest names in music.

This song, once thought to be lost by its writer, John Rhys, has been compared to Shakespeare's Sonnet Their soul music from the late '60s is described in terms ranging from "upbeat" to "frenetic" and said to be similar to the Chicago and Detroit sounds. And to my year-old self it made not just the music of Abba, Status Quo, Bowie, Roxy Music but also the Jackson Five and the Three Degrees sound like what it was: commercialised shit. Because there was no internet, no YouTube, no carefully researched discographies — and because DJs like Searling purposely disguised the identities of records to keep them priceless — if you wanted to hear the music you had to go.

And that meant going to Wigan. By I had a regular place on the dancefloor at Wigan Casino. Not at the front among the elite but at the side. Constantine's film shows people taking handfuls of speed capsules, but that wasn't my experience. Any contact with speed dealers then was expensive and dangerous: the scene was crawling with plainclothes drug squad.

In the early 70s the soul scene had been fuelled by pharmaceutical speed, stolen from chemist shops. Even in that short time I saw people destroyed by it: having to crush it and inject it to get the same buzz they were getting off three capsules a year before. In soul culture there had been an explicit and deep hatred of the drug paraphernalia of the rock scene—the syringes and the junkie lifestyle were as detestable as kaftans and patchouli perfume.

Since the water taps were always broken there were lurid stories about people cranking up with water out of the toilets, or from the puddles outside. And there were some tough bastards at Wigan. Chris Brick, who would do 30 months in jail for running a backstreet sulphate operation, recalls:.

There was a lot of anarchy in this. I mean we were really involved in anarchy here. I mostly attended Wigan armed only with ProPlus and dextrose tablets. Even without speed you were able to experience the massive euphoria that was the defining atmosphere about an allnighter. I am convinced it was the product of the collective empathy that took place on the dancefloor, and not just the drugs.

You could feel it kicking in outside before the Casino opened, in the two hours after midnight: people became tense, elated, subconsciously connected. There was something overtly rebellious and subconsciously political about Wigan.

Like with a riot, or an occupation, you could tell immediately, through eye contact, who was feeling the buzz. What we were doing, back then, was rewriting the rules of being white and working class. We knew exactly what it meant to dance to black music in the era of the National Front and the racist standup comedian. Ours was a rebellion against pub culture, shit music and leery sexist nightclubs. Our weapon was obscure vinyl, made by black kids nobody had ever heard of. Northern Soul dancing was, of course, a male thing.

There were superb female dancers, but the atmosphere on the dancefloor was male and we outnumbered the girls maybe four-to-one. Despite all the muscle and flesh on show it was not homo-erotic; but you laid your emotions viscerally bare. Elaine Constantine describes the shock this caused, at a youth club in Bury in the mids:. To mark the 40th anniversary my BBC producer has persuaded me to dance, on camera. Fran Franklin, who first went to Wigan the same year as me, and has been a dance adviser on the film, has been drafted in to help.

The daughter of an African-American airman, Fran was one of maybe two dozen black regulars at Wigan. I can spin, though. But the results of attempting to do a backdrop I am hoping will be left on the cutting room floor. I ask Fran what did it feel like to be black among these poor, white, working-class kids spoon-fed racism on TV and by the workplace joke-culture?

Every single person I ever met on the scene felt like my brother or my sister. We went through good times, lost people, but came together at the end of it, as one. Northern Soul was not some isolated cultural quirk. It was the crest of a wave of working-class culture: rising literacy, social mobility and solidarity.

We had no idea all this was about to be destroyed—by mass unemployment, the criminalisation of poor communities and industrial decline. But I think we sensed we were at the high point of something. And after that documentary came out you began to get a meme of sadness and regret in the some tracks that became popular on the scene.

These are the tracks whose titles people get tattoed on their forearms, or specify for their funerals. But the nostalgia was already there on the soul scene by the late 70s because—faced with a political onslaught that was about to destroy working-class self-respect and culture—it had no new musical resources to draw on. Eventually I drifted away from the scene because it did not respond to the social landslide that began in punk, new wave, funk and hip-hop did.

When the rave scene started in the s, ex-Northern Soul DJs and drug dealers recognized it as a kind of second coming. Today I see it as an unconscious act of communication, across time and space, from a generation of confident, educated, politicised black people in 60s America to a rising generation of white working-class kids in 70s Britain.


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In his definitive history of the origins of rock-and-roll, Sound of the Citypublished inthe radio presenter and music writer Charlie Gillett observed:.

New england casino Retrieved 2 January Archived from the original on 7 September Equally functional in some respects was the use of wigan casino drugs drugs. Calvin Carter later said, "There was a number one record over in England at the time. Although Wigan Casino is now the most well known, the best attended Northern soul all-night venue at the beginning of the decade was actually the Golden Torch, where regular Friday night soul "all-nighters" began delta grand casino the latter months of
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Wigan casino drugs It was ideal for what we wanted to do. Comment by: walt North Yorkshire on 12th September at Perhaps the rule in Wigan or Greater Manchester not West Yorkshire on music and dancing had something generally permitting music and dancing at the weekend, or it came automatically with Wigan Council's ownership of the building. Close panel Font size. I can spin, though.
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Wilson argues that, although many did not use drugs, their usage was heavily ingrained in the fast-paced culture of the northern soul scene, contributing to participants' ability to stay up all night dancing. Many clubs and events were closed down or refused licences due to the concern of local authorities that soul nights attracted drug dealers and users. Of the regular attendees he said, "All they wanted was fast-tempo black dance music Rietveld, northern soul "dancers were fuelled by Dexedrine tablets".

The Northern soul scene has had a notable influence on DJ culture, certain musicians, and has been portrayed in literature, theatre and cinema. The Northern soul movement is cited by many as being a significant step towards the creation of contemporary club culture and of the superstar DJ culture of the s.

As in contemporary club culture, Northern soul DJs built up a following based on satisfying the crowd's desires for music that they could not hear anywhere else. The competitiveness between DJs to unearth 'in-demand' sounds led them to cover up the labels on their records, giving rise to the modern white label pressing. Many argue that Northern soul was instrumental in creating a network of clubs, DJs, record collectors and dealers in the UK, and was the first music scene to provide the British charts with records that sold entirely on the strength of club play.

A technique employed by northern soul DJs in common with their later counterparts was the sequencing of records to create euphoric highs and lows for the crowd. DJ, Laurence 'Larry' Proxton being known for this method. DJ personalities and their followers involved in the original Northern soul movement went on to become important figures in the house and dance music scenes. Northern Soul with Tony Deller is broadcast each week on Cambridge community radio station Cambridge He started a dedicated Northern soul radio programme, called Soul Time , in , [81] which continues and is believed to be the longest running Soul program in the World.

Northern soul has influenced several notable musicians. Terry Christian — in his article about Northern soul for The Times — wrote: "There's an instant credibility for any artist or brand associated with a scene that has always been wild, free and grassroots.

The Northern soul subculture has spawned a number of memoirs, novels and short stories. Northern Soul is the title of a theatre piece by the British visual and performance artist, Victoria Melody. According to a description on the Solo Theatre website, [98] 'Victoria, an untrained dancer, has been travelling the dance halls and living rooms of England being taught to dance by Northern Soul's ex-champions. From Wikipedia, the free encyclopedia.

For other uses, see Northern soul disambiguation. Music and dance movement that emerged, initially in Northern England in the late s. Acid jazz rare groove rave culture. Motown Records Motown Sound mod subculture skinhead. See also: Category:Northern soul musicians. Louder Than War. Retrieved 17 October Later, Godin released "Deep soul treasure" series.

Retrieved 3 June The Soul Stylists. Retrieved 15 August Retrieved 29 June Archived from the original on 4 April Archived from the original on 29 October Retrieved 29 October Archived from the original on 19 October Chapter 12, page Retrieved 29 May The Guardian.

The Daily Telegraph. Patrick's Day season". Rolling Stone. New York. Archived from the original on 31 March BBC Arts. Retrieved 23 September Charles Reese! Retrieved 31 July Retrieved 13 March Classic 45s. Retrieved 29 August BBC News. Retrieved 15 December New York: Berghahn Books. Northern Soul: Living for the Weekend. BBC Four. Retrieved 2 September Wigan's Ovation's cover version of a rare northern Soul song became a major top 20 chart hit in Terrible cover version of The Invitations' classic.

That was when it was no longer underground. Everybody knew about it. Now I'm into Northern Soul'. You'd be speaking to work colleagues, they'd be saying, 'What are you into? How many times do I have to explain, that's as far away as it can possibly be? It horrified the purists. None of us at the venues were very happy about it, but what it did, it put Northern Soul on the music map for the industry.

Retrieved 17 April BeeCool Publishing. Routledge, Jan. Retrieved 2 January Cambridge Archived from the original on 15 July Retrieved 29 December New Musical Express. Time Inc. Archived from the original on 7 September Retrieved 19 July Retrieved 4 May Archived from the original on 26 February A Blog for Souls of the Underground: the lesser known talents, writers… and artists".

Archived from the original on 24 May Soul music. Hidden categories: CS1 maint: archived copy as title Webarchive template wayback links Articles with short description Short description matches Wikidata Use dmy dates from October Use British English from April Namespaces Article Talk.

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